Tamiko S. Washington
- Moulton Hall 135
- Alliant International University, Bachelor of Fine Arts
University of California, Irvine, Master of Fine Arts in Theatre
- Professor Tamiko Washington holds an M.F.A. in Acting from the
University of California, Irvine. Her seventeen-year history as an
accomplished actor, voice, and movement teacher lead her to originate
American Noh Theatre based on the traditional movements of Japanese Noh
Theatre and Suzuki Master Tadashi Suzuki. Her proven effective vocal
methodology can be accredited to her extensive study with Linklater and
Fitzmaurice specialists such as Dudley Knight, Catherine Fitzmaurice,
Isabel Kirk, Dennis Krausnick, Tina Packer, Christine Adaire, Keely
Eastley, Margaret Jansen, Lisa Wolpe, Adrienne Johns, and Louis
Colaianni. She continues to perform her (twelve-year) highly acclaimed
one-woman show (Los Angeles Times, Orange County Register, OC Weekly, Logan Daily News, Kansas City News) Incidents in the Life of a Slave Girl
by Harriet Ann Jacobs (adapted for the stage by Deanna Sidoli and Kent
Kirkpatrick) with help from the Irvine Foundation and Pacific Bell
Telesis Foundation. Her performance of the Nurse in Romeo and Juliet with Shakespeare Orange County in 2007 won critical acclaim in the Los Angeles Times.
She also has appeared in notable Actors’ Equity Association
performances at South Coast Repertory, the Old Globe Theatre, the Los
Angeles Women’s Shakespeare Company, Shakespeare Orange County, Stages
Theatre, the Vanguard Theatre, and Pacific Theatre Ensemble, among
others. Her television credits include co-starring and guest artist
roles in the television shows Pensacola, Silk Stalkings, High Tide, Extreme Blue, and Vanishing Son, and two Lifetime Movie Network films, Two Small Voices and Kidnapped. She also can be seen in her supporting role as Anna Mae in the independent film A Few Breaths of Freedom.
Professor Washington is a private vocal consultant in Los Angeles, California. She is a professional respondent for the Kennedy Center/American College Theatre Festival, Region VII, Circuits I and III. In 2009, as a member of the Los Angeles Women’s Shakespeare Company she was honored, with the company, in receiving the Margaret Hartford Award for sustained excellence in theatre. In 2005, she was awarded the Kennedy Center American/College Theatre Excellence in Education for her work at Chapman University. In 2004, she was the recipient of the Achievement of Excellence in Teaching from Chapman University, and in 2001, the recipient of the Achievement Award for Excellence in Teaching, Creative Work, and Service especially for innovative teaching techniques and promoting successful award-winning performances at Chapman University. She holds memberships in the Actors‘ Equity Association, the Screen Actors Guild, and VASTA (Voice and Speech Trainers Association, Inc.).
Professor Washington’s philosophy of teaching includes three core principles for students in their quest for knowledge: 1) students must strive for excellence 2) students must remain teachable, and 3) students must “perform for something greater than themselves.” These core principles govern her consistent approach to seeking, discovering, and implementing new and innovative techniques to ensure quality training in her teaching methodologies.
Directing Credits include:
A new play titled Kvetcher in the Wry, Forum Theatre-Festival Arts (fall 2008), a new play titled Ode to Provence by Andrea Sloan Pink, Stages Theatre (spring 2009), Conversations Among the Ruins (KC/ACTF), Antigone, the Nixon Theatre (UCI), and UCI Undergraduate Scene Workshop (UCI)
Directing Credits at Chapman University include:
Trojan Women, The School for Scandal (Oxford University Press approved adaptation for stage/publication by Tamiko Washington), A Night of Noh Theatre (Kantan, Hagoromo), He Who Gets Slapped, Ragged Dick (Neal Bell), Marisol, BFA Actor Showcase, Elizabeth Almost by Chance a Woman, Waiting for Godot (XXXV KC/ACTF finalist production), A Streetcar Named Desire, Atsumori & Ikuta (XXXII KC/ACTF finalist production)
- Recent Creative, Scholarly Work and Publications
In the summer of 2013, I was commissioned by Stiletto Rosso Productions to be the Assistant Director of a new international short film entitled The Case for Conrad Cooper.
2012/2013: Artistic Director/Producer and founder of OC Centric Orange County's New Play Festival. Duties include choosing new plays for yearly festival production and hiring stage directors, production designers (costume, lighting, and scenic), stage managers, stage technicians, and actors. Additional duties include the overall artistic supervision of all play productions, as well as the overall financial affairs of the festival.
2012/2013 Artistic Director/Producer and founder of Actors Circle Ensemble. Duties include choosing plays for company productions, hiring production designers, stage managers, and actors, as well as the overall artistic and financial affairs of the company.
In the spring of 2013, I directed the play Experiment by Melanie Wehrmacher (with my acting company Actors Circle Ensemble), which was invited (through proposal submission) to perform in South Coast Repertory's SCRamble Series in the Nicholas Studio Theatre.
In the summer of 2013, I directed the Experiment by Melanie Wehrmacher, which was performed by my theatre company Actors Circle Ensemble at Theatre Asylum at the Hollywood Fringe Festival.
In the fall of 2012, I was commissioned by Dr. Lisa M. Gibbs, Director of the Program in Geriatrics at the University of California, Irvine (to return) as the director of two interactive doctor/patient short plays for the Educational Theatre in Medicine Program. In addition, I also participated on an Actors Studio Panel with medical doctors from the UC Irvine School of Medicine and the actors performing in the interactive doctor/patient short plays.