- Recent Creative, Scholarly Work and Publications
The Warped Side of Our Universe (Upcoming 2015), Prose by Kip Thorne, Paintings by Lia Halloran, Co-authored and illustrated with Kip Thorne, Feynman Professor of Theoretical Physics at the California Institute of Technology.
Passage/ Dark Skate, Paris Photo, Luis de Jesus Gallery, Los Angeles, CA
Curated Exhibition: Better Far Pursue a Frivolous Trade by Serious Means, than a Sublime Art Frivolously, Fine Arts Gallery, California State University Los Angeles.
Cash Cans and Candy Catalog, published in Vienna by Verlag for Modern Kunst, Galerie Hilger NEXT, Hilger BROT Kunsthalle. Artwork published in catalog, with essay by Katrin-Sophie Dworczak.
Solo Exhibition, The Wonder Room, SACI Gallery, Florence, Italy
Text(ure), Modeling, Collage: Creative Writing and the Visual Arts.
New Writing: The International Journal for the Practice and Theory of Creative Writing
Volume 11, Issue 1, 2014 pages 117-133
Anna Leahya*, Lia Halloranb & Claudine Jaenichenb Chapman University
The project explores balances of ritual and experimentation, intellect and empathy, and
self- expression and audience in creative writing, studio art and graphic design. Examples of teaching practices and other pedagogical commonalities in the three areas are also main focal points.
2013 Haeney, Caitlin, ‘Sidewalk’s Up’, The Times-Tribune, PA
Grega, Alicia ‘The Artists’ Studio: Sidewalk Surfing’, The 570
Hughes, Christopher J., ‘A 360-Degree Look at Skateboarding’, Timesleader
2012 Reviews, Harpers Magazine, November 2012
Mason, Shana Beth, “Lia Halloran,” Artvoices Magazine, August.
Grattan, Nikki, “Lia Halloran, Painter, Artist,” In The Make, Studio Visits with Artist and Designers, Spring.
Amir, “Lia Halloran’s Photographic Line Drawings Created by Skateboarding with Light,” Beautiful Decay Magazine, June.
Loud Speaker, “Skateboarding with light- stunning photographs by Lia Halloran,” Mumble in the Jungle, June.
Bonker, Dawn, “Get Creative,” Chapman Magazine, Spring 2012.
Alumit, Noel, “Tilt-shift: Queer Art Moving in Different Directions,” Huffington Post, February 16.
Martinez, Alanna. “10 Global Art Exhibitions, From Daniel Heidkamp’s Luscious Landscapes to Ed Kienholz’s Early Works,” ARTINFO, January 27.
2011 Lacoste, Christina, “Off the Wall,” Dig Boston, November 11.
Walsh, Colleen, “Scaling Up and Down,” Harvard Gazette, November 10.
Slawitschka, Kurt, “Measure’s a Measured Success,” The Harvard Crimson, November 8.
Size Matters,” Boston Globe, November 7.
Dela, Sasha, “Texas Contemporary Art Fair,” Temporary Art Review,
2010 Rule, Doug, “Crystal City: Lia Halloran and Sarah Strauss have created a ‘cave’ of huge ‘crystals’, on display at Artshpere,” Metro Weekly, November 18.
Campbell, Rebecca & Nicole Walker, ed. “A Game of Artist’s Telephone, Day 7,” The Huffington Post, September 1.
Siegel, Miranda, ed. “Galleries – Downtown – Lia Halloran,” New York Magazine, April 5.
2009 Melrod, George. “’Superficiality and Superexcrescence’ at Otis College of Art and Design, Ben Maltz Gallery,” Art Ltd., September.
Myers, Holly. “Art Review: ‘Superficiality and Superexcrescence’ at Ben Maltz Gallery,” Los Angeles Times, July 8.
‘Outside the Lines: An Artists’ Coloring Book for Giant Imaginations’
Hong-Poretta Souris, Publisher: Penguin Group USA
2012 Gestalt, Facilitated and Curated senior Chapman Student two-person
exhibition, Advocate Gochis Galleries, Los Angeles Gay and Lesbian Center,
Los Angeles, CA. Reviewed in the Huffington Post, and Advocate Magazine.
2011 Measure for Measure, Travelling exhibition to Harvard University Carpenter
Center for the Visual Arts, Fall 2012, and Chapman University’s
Guggenheim Gallery, Spring 2011.
2010 Measure for Measure, Los Angeles Art Association, 825 Gallery, Los Angeles,
CA. Exhibition delved into issues and consideration of ‘scale’ as a theme for
both artists and scientist. Co-curated with Dr. Lisa Randall, Harvard
University, Department of Physics.
2012 Sublimation / Transmutation, Martha Otero Gallery, Los Angeles, CA
2010 Folding/ Unfolding, Artisphere, Terrance Gallery, Arlington, VA (Two-person
collaboration Collider with the architecture firm, Big Prototype in New
The Only Way Out Is Through, DCKT Contemporary, New York, NY *
2008 Dark Skate, DCKT Contemporary, New York, NY
Dark Skate Miami, Fredric Snitzer Gallery, Miami, FL
Dark Skate, LaMontagne Gallery, Boston, MA
101 California Street, San Francisco, CA
SELECTED GROUP EXHIBITIONS
2012 Tilt-Shift LA: New Queer Perspectives on the Western Edge, Luis De Jesus,
Los Angeles, CA
2011 Universe City, The Fine Arts Gallery at CSULA, Los Angeles, CA
Oniomania, Martha Otero Gallery, Los Angeles, CA
2010 Haunted: Contemporary Photography / Video / Performance, Guggenheim
Museum Bilbao, Bilbao, Spain *
Skateboarding Side Effects, Terrace Gallery at Artisphere, Arlington, VA
The Rise of RAD: Contemporary Art and the Influence of the Urethane
Revolution, Torrance Art Museum, Torrance, CA
Girls Just Want to Have Funds, P.P.O.W Gallery, New York, NY
2009 Superficiality and Superexcrescence, Ben Maltz Gallery, Otis College of Art &
Design, Los Angeles, CA *
2008 Ultrasonic International III: Elementary, My Dear Watson, Mark Moore
Gallery, Santa Monica, CA *
Group Exhibition, Sandroni Rey, Los Angeles, CA
2006-8 Space is the Place, curated by Alex Baker and Toby Kamps for
Independent Curators International, Cranbrook Art Museum, Bloomfield, MI; Bedford Gallery, Walnut Creek, CA; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; Contemporary Arts
Center, Cincinnati, OH; The Hudson River Museum, Yonkers, NY *
The Warped Side of the Universe, Co-authored and illustrated with Dr. Kip Thorne,
Feynman Professor of Theoretical Physics at the California Institute of Technology. Submitted for Publication.
Text(ure), Modeling, Collage: Creative Writing and Visual Arts Pedagogy. Writing project in collaboration with Anna Leahy (Professor of Poetry) and Claudine Jaenichen (Associate Professor of Graphic Design). The project explores balances of ritual and experimentation, intellect and empathy, and self- expression and audience in creative writing, studio art and graphic design. Examples of teaching practices and other pedagogical commonalities in the three areas are also main focal points. Submitted for Publication.